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Interview with Angelica Mesiti
From our friends at Guernica, today we present an interview with Australian video and performance artist Angelica Mesiti. Author Naomi Riddle notes, “In Mesiti’s work, verbal language is decidedly...
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Janet Cardiff: The Forty Part Motet at Fort Mason Center for Arts & Culture
Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun...
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Marina Rosenfeld and Ben Vida at Fridman Gallery
It is a strange thing to sit in a room for an hour and experience two people producing something unrecognizable. When successful, the relationship between the audience and the performers depends on...
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James Hoff: Bricking at the Contemporary Arts Center New Orleans
James Hoff: B=R=I=C=K=I=N=G is the first solo museum exhibition of the artist’s “virus paintings”—works shaped and mediated by Hoff’s engagement with digital technology and computer viruses as opposed...
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Cut-Up at Franklin Street Works
“Everything in the world began with a yes. One molecule said yes to another molecule and life was born,” professes Clarice Lispector in the first lines of her 1977 novel, The Hour of the Star. Like the...
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The Lasting Concept at Portland Institute for Contemporary Art
The Lasting Concept at Portland Institute for Contemporary Art (PICA) is, by design, chronically unsure of its form. Initially conceptualized as a publication of the same name, the exhibition explores...
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Summer Session – Audio Guide Stop For Fred Wilson, Guarded View, 1991, at the...
Continuing our labor-themed Summer Session, today we direct you to an excerpt from Fred Wilson’s audio guide to his sculpture Guarded View for the Whitney Museum of American Art. The artist says, “When...
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Summer Session – Vipralambha (Union Through Separation)
This month we’re taking an in-depth look at the nexus of labor and art, and today from our friends at Guernica we bring you an excerpt from an essay by Simon Coates, who discusses a project completed...
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Hammer Projects: Simone Leigh
Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun...
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Slaying Monsters: The 2016 Kuandu Biennale, Taipei
It sounds like the start of a fairy tale. Ten curators from nine different countries are given a task to perform: Each must choose one artist with whom to create a major show. The resulting Kuandu...
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An Atlas of Mirrors: Singapore Biennale 2016
There is no shortage of mirrors and maps in the fifth iteration of the Singapore Biennale. Glass mirrors in Harumi Yukutake’s Paracosmos (2016) curve around the main circular stairwell of the Singapore...
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Sonic Futures at the San Jose Institute of Contemporary Art
Visitors might be deceived by the initial sounds they hear in Sonic Futures at the San Jose Institute of Contemporary Art. A haunting hum resounds throughout the dark exhibition space, originating from...
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Spotlight: Art Practical
For the next few months, Daily Serving will be shining a light on some arts publications that we regularly read. We’re excited to partner with REORIENT, un Projects, N-o-nS…e;nSI/c::::a_L, and others...
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Spotlight: Art Practical
This summer, Daily Serving is shining a light on some arts publications that we regularly read and love, and this week we’re highlighting the work of our sister publication, Art Practical. Today we...
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